Saturday, November 19, 2011

The Dead Girls' Dance (Morganville Vampires, Book 2)

Field of Dreams [VHS]

  • Kevin Costner
  • White Sox
  • Shoesless Joe
  • Liotta
  • Baseball
“If you build it, he will come.” With these words, Iowa farmer Ray Kinsella (Kevin Costner) is inspired by a voice he can’t ignore to pursue a dream he can hardly believe. Also starring Ray Liotta, James Earl Jones and Amy Madigan, Field of Dreams is an extraordinary and unforgettable experience that has moved critics and audiences like no other film of its generation. Field of Dreams is a glowing tribute to all who dare to dream.A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a deli! ghtful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-t! own physician ... but what all of this means is unclear until ! the film 's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Cos! tner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball f! ield created for the production has now become a mecca of sort! s for dr eamers around the world. --Jeff Shannon



Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 107 minutes

A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middl! e of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989! , Field of Dreams has become a modern classic and a uni! quely Am erican slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when! spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonUPC: 25192016622

Field of Dreams - BaseballA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation ! of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kins ella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory ! for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen! star, but the story resonates far beyond Costner's handsome a! ppeal. A s just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting a! udiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonAn Iowa farmer is inspired by a voice he cannot ignore to pursue a dream and turns his cornfield into a baseball field so that some baseball legends can come and play.
Genre: Feature Film-Drama
Rating: PG
Release Date: 23-AUG-2005
Media Type: DVDA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American! screen star, but the story resonates far beyond Costner's han! dsome ap peal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affe! cting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle o! f his cornfield. His wife (Amy Madigan) supports the wild idea! , but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely Americ! an slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when s! pirits from baseball's past begin appearing on the ball field.! Past an d present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, dif! fering greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... bu! t what all of this means is unclear until the film's memorably! heartfe lt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as ! Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created f! or the production has now become a mecca of sorts for dreamers! around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played b! y James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff Shannon

Silver Star Howling For You Premium T-Shirt [Hematite], Large

Carlito's Way Rise To Power - Original Movie Poster - 11 x 17

  • Original 2005 Theatrical Release Mini Movie Poster
  • Rolled, Mint and Unused.
  • Single Sided
This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choic! es to make. Taut, thrilling, and a joy to read, Carlito's Way established a voice that has lost none of its vivid color or power to enthrall.This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choices to make. Taut, thrilling, and a joy t! o read, Carlito's Way established a voice that has lost! none of its vivid color or power to enthrall.This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choices to make. Taut, thrilling, and a joy to read, Carlito's Way established a voice that has lost none of its vivid color or power to enthrall. Fr! om the producer of Scarface and Carlito's Way comes the action thriller Carlito's Way: Rise to Power. Jay Hernandez (Friday Night Lights), Mario Van Peebles (Ali), Luis Guzman (Carlito's Way) and Sean Combs (Monster's Ball) star in the gripping tale of the early years of gangster legend Carlito Brigante. Seduced by the power of the brutal New York underworld, he enters a deadly circle of greed and retribution. Assisted by his two brothers in crime, Carlito is on the fast track to becoming Spanish Harlem's ultimate kingpin. He quickly learns, however, that the only way to survive at the top is through loyalty to his friends and respect for the rules of the street.The success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way: Rise to Power will attract an eager audience among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, rel! atively bloodless prequel trots out every cliché in the book,! qualify ing as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Hernandez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connect! ing events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a look. --Jeff ShannonNo description available for this title.
Item Type: DVD Movie
Item Rating: R
Street Date: 08/28/07
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveCARLITO'S WAY:RISE TO POWER - DVD MovieThe success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way! : Rise to Power will attract an eager audience among fans ! of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, relatively bloodless prequel trots out every cliché in the book, qualifying as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Hernandez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the ! body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connecting events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a look. --Jeff ShannonFrom the producer of Scarface and Carlito's Way comes the action thriller Carlito's Way: Rise to Power. Jay Hernandez (Friday Night Lights), Mario Van Peebles (Ali), Luis Guzman (Carlito's Way) and Sean Combs (Monster's Ball) star in the gripping tale of the early years of gangster legend Carlito Brigante. Seduced by the power of the brutal New York underworld, he enters a deadl! y circle of greed and retribution. Assisted by his two brother! s in cri me, Carlito is on the fast track to becoming Spanish Harlem's ultimate kingpin. He quickly learns, however, that the only way to survive at the top is through loyalty to his friends and respect for the rules of the street.The success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way: Rise to Power will attract an eager audience among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, relatively bloodless prequel trots out every cliché in the book, qualifying as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Herna! ndez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connecting events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a loo! k. --Jeff ShannonOriginal 2005 Theatrical Release Movie! Poster.
Measures 11" x 17" (inches)
The poster is single sided, rolled, mint and unused and will be shipped to you packed in plastic tubing and then inside strong pvc pipe for maximum protection.

Fried Green Tomatoes (Extended Collector's Edition)

  • Wide Screen edition
  • extended version
HOW TO MAKE AN AMERICAN QUILT - DVD MovieBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, t! his film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her imp! ending m arriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall Fine"Remarkable...An affirmation of the strength and power of individual lives, and the way they cannot help fitting together."
THE NEW YORK TIMES BOOK REVIEW
An extraordinay and moving reading experience, HOW TO MAKE AN AMERICAN QUILT is an exploration of women of yesterday and today, who join together in a uniquely female experience. As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.
A MAJOR MOTION PICTURE COMING OUT FALL 1995-- with Maya Angelou, Winona Ryder, and Rip TornBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineFroed Green tomatoes movie, wide screen edition, extended version DVD.Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing ! and moving 1991 screen adaptation of Fannie Flagg's novel F! ried Gre en Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom KeoghKathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Gr! een Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh

Christmas in the Clouds

The Bourne Supremacy (Bourne Trilogy, Book 2)

Al Franken - God Spoke

  • Political satirist Al Franken follows up his best-selling book LIES AND THE LYING LIARS WHO TELL THEM with this feature film. AL FRANKEN: GOD SPOKE follows the inimitable figure over a two-year period in which he campaigns against George W. Bush's reelection and takes well-aimed swipes at a number of big political targets. Runtime: 84 minutes Format: DVD MOVIE Genre: DOCUMENTARIES
An intimate & hilarious behind-the-scenes look at the life of the former saturday night live comedian turned author radio host & political satirist. Studio: New Video Group Release Date: 04/24/2007 Run time: 84 minutesIn God Spoke, Nick Doob and Chris Hegedus (The War Room) shine a light on political satirist Al Franken. The "flaming sword of justice" explains his left-leaning career like this, "They [right-wing pundits] say something ridiculous, and then I subject them to scorn and ridicule." The ! filmmakers, longtime associates of cinéma verité pioneer DA Pennebaker, take a fly-on-the-wall approach towards Franken's activities around the time of the 2004 presidential election and afterwards as he explores a run for the US Senate in 2008. They look at the (unsuccessful) lawsuit Fox News filed against him for swiping their tagline, his involvement in the upstart Air America network, and his dust-ups with Ann Coulter, Sean Hannity, Michael Medved, and Bill O'Reilly, who describes him as "a vile human being." Along the way, they follow the Minnesota-born comedian on book tours and speaking engagements, occasionally flashing back to his two-decade long stint on Saturday Night Live. God Spoke is an expansion of the Sundance Channel short The First Amendment Project: Fox vs. Franken and covers some of the same ground as HBO's America Undercover: Left of the Dial. In other words, there isn't a ton of new material here, but this "fair and balanc! ed" profile represents an entertaining introduction to a multi! -talente d individual. Without Franken, it's hard to imagine a place in the world for The Daily Show and other media designed to expose "lies and the lying liars who tell them," as his 2003 bestseller would have it. --Kathleen C. Fennessy
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