Friday, December 2, 2011

Calvin Klein Jeans Men's Fly Free Short Sleeve Crew Neck Tee, Pale Slate, Small

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Dumb and Dumber (Unrated)

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The Cake Eaters

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Becoming Jane [Blu-ray]

  • Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, Subtitled, Widescreen
  • Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
  • Aspect Ratio: 2.35:1
  • Run Time: 120 minutes
  • Actors: Guy Carleton, Philip Culhane, Joe Anderson (VI), Michael James Ford, Jessica Ashworth
Anne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel ! Jane s dream of doing the unthinkable marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels forLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's! James McAvoy), while he's staying with relatives in rural! Hampshi re. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. FennessyAnne Hathaway (Love and Other Drugs) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane. It s the untold romance that inspired the novels of one of the world's most cel! ebrated authors. When the dashing Tom Lefroy (James McAvoy, Atonement), a reckless and penniless lawyer-to-be, enters Jane's life, he offends the emerging writer's sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel Jane's dream of doing the unthinkable--marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you'll fall head over heels for.Like Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money! is tight. They hope to see their youngest daughter make a mor! e lucrat ive match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's James McAvoy), while he's staying with relatives in rural Hampshire. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of ! the author's work. --Kathleen C. FennessyAnne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel Jane s dream of doing the unthinkable marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels forLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White ! Teeth) expands on events from Jane Austen's life that may ! have sha ped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's James McAvoy), while he's staying with relatives in rural Hampshire. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lendin! g the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. Fennessy
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AVPR: Aliens vs Predator Requiem Poster C 27x40Steven PasqualeReiko Aylesworth John Ortiz

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • AVPR: Aliens vs Predator - Requiem Style C 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Packed with adrenaline-pumping action and heart-stopping suspense, this spectacular sequel escalates the war between sci-fi's scariest movie icons!

On Earth everyone can hear you scream, especially when a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters-and producing countless Alien offspring-with terrifying efficiency. When a lone Predator arrives to "clean up" the infestation, it's an all-out battle to the death with no rules, no mercy, and hundreds of innocent people caught in the crossfire. As ! the creature carnage continues, a handful of human survivors attempt a daring escape, but the U.S. government may be hatching a deadly plan of its own...For those who found 2004's Aliens vs. Predator too lightweight in the gore-and-guns department, Aliens vs. Predator: Requiem offers a marked improvement in both categories, as well as a respectable amount of rumbles between the title extraterrestrials. Set in the 21st century (which predates the story to all of the Alien features), Requiem sends a crippled Predator ship crashing to Earth in a small Colorado town; unbeknownst to the locals, the craft is loaded with H.R. Giger's insectoid monsters, which make quick work of most of the population. As the human cast is slowly whittled to a few hardy (if unmemorable) souls, a Predator warrior also arrives to complicate matters and do battle with the Aliens, as well as a ferocious alien-Predator hybrid (dubbed a Predalien by the sci-fi and horror press! ). Visual-effects designers and music-video helmers The Straus! e Brothe rs (who make their feature directorial debut here) keep the action on frantic throughout, which is wise, since the dialogue and characters are threadbare at best; that should matter little to teenage male viewers, who are inarguably the film's key audience. Fans of the Alien franchise, however, may find the offhanded nod to the series' mythology given during the finale its sole saving grace. --Paul Gaita


Beyond Alien vs. Predator: Requiem


More from the Alien Series
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Stills from Alien vs. Predator: Requiem







"It may be our planet, but it’s their war! !" The deadliest creatures from the scariest sci-fi movies eve! r made f ace off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff ShannonDisc 1: AVP 1 BLU RAY Disc 2: AVP 2 BLU RAYDisc 1: Widescreen Feature Rated and Unrated Versions ***Commentary by Directors Colin and Greg Strause and writer Shane Salerno **Commentary by Tom Woodruff and Alec Gillis Wayland Yutani Archives **D-Box **BD-Live Portal **Deleted Scene with Optional Director Commentary: 121-124 Extended Power Plant **Trailers: Jumper Blu-ray, Babylon AD Blu-ray, Hit Man Blu-ray **Fox on Blu-Ray: Alien Vs. Predator, Behind Enemy Lines, Planet of the Apes, Transporter

Disc 2: Digital CopyFor those who found 2004's Aliens vs. Pre! dator too lightweight in the gore-and-guns department, ! Aliens v s. Predator: Requiem offers a marked improvement in both categories, as well as a respectable amount of rumbles between the title extraterrestrials. Set in the 21st century (which predates the story to all of the Alien features), Requiem sends a crippled Predator ship crashing to Earth in a small Colorado town; unbeknownst to the locals, the craft is loaded with H.R. Giger's insectoid monsters, which make quick work of most of the population. As the human cast is slowly whittled to a few hardy (if unmemorable) souls, a Predator warrior also arrives to complicate matters and do battle with the Aliens, as well as a ferocious alien-Predator hybrid (dubbed a Predalien by the sci-fi and horror press). Visual-effects designers and music-video helmers The Strause Brothers (who make their feature directorial debut here) keep the action on frantic throughout, which is wise, since the dialogue and characters are threadbare at best; that should matter little to teenag! e male viewers, who are inarguably the film's key audience. Fans of the Alien franchise, however, may find the offhanded nod to the series' mythology given during the finale its sole saving grace. --Paul Gaita


Beyond Alien vs. Predator: Requiem


More from the Alien Series
AVP Customer Community
More blu-ray sci-fi from Fox


Stills from Alien vs. Predator: Requiem







Disc 1: Alien vs. Predator 2 : Requiem Unrated WS Disc 2: Alien vs. Predator Collector's Edition Unrated WS"It may be our planet, but it?s their war!" The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancie! nt pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody w! ho's seen Mortal Kombat or Resident Evil should ! be surpr ised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff ShannonAVPR: Aliens vs Predator - Requiem reproduction poster print

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Friday the 13th, Part VI: Jason Lives (Deluxe Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; NTSC; Subtitled; Widescreen
Studio: Paramount Home Video Release Date: 02/03/2009 Run time: 86 minutes Rating: RAs bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less att! ractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartJust whe! n you th ought it was safe to go back to camp . . . here's even more heart-pounding terror.

Five years after the horrible bloodbath at Camp Crystal Lake, all that remains is the legend of Jason Voorhees and his demented mother, who had murdered seven camp counselors. At a nearby summer camp, the new counselors are unconcerned about the warnings to stay away from the infamous site. Carefree, the young people roam the area, not sensing the ominous lurking presence. One by one, they are attacked and brutally slaughtered. Suspense and screams abound in this compelling thriller.As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing! even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his defor! med features (he finally found his way to a sporting-goods sto! re and h is trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartGet ready for twice the terror with Friday the 13th Part 2: Deluxe Edition! Five years after the massacre at Camp Crystal Lake, the nerve-wracking legend of Jason Vorhees and his diabolical mother lives on. Despite ominous warnings from the locals to stay away from “Camp Blood” a group of counselors at a nearby summer camp decide to explore there area where seven people were brutally slaughtered. All too soon, they encounter horrors of their own and the killing begins again. You’ll be at the edge of your seat for this gruesome thriller about 24 hours of bone-chilling fear!As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the! 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than an! y of the killings beforehand) in an attempt to confuse the mas! ked kill er. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartFRIDAY THE 13TH PART 3 (DELUXE EDITIO - DVD MovieThe tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past history and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good! ," but this creatively grotesque installment manages to come surprisingly close with a welcome sense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright HAVING ESCAPED IN THE LAST EPISODE, JASON IS BACK, HOCKEY MASKAND ALL, TO CONTINUE HIS MURDEROUS RAMPAGE ACROSS CRYSTAL LAKE.The tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past history and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good," but this creatively grotesque i! nstallment manages to come surprisingly close with a welcome s! ense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright FRIDAY THE 13TH: They comprise the most successful and shocking tales of terror in cinema history. Now, for the first time, the first eight classic Friday The 13th movies are available together in this killer DVD collection. Beginning with the picture that critics have called the original slasher flick, this collection spans nine years and includes seven additional blood-soaked, suspense-filled sagas starring one of the most horifying characters ever to wear a hockey mask and wield a machete: Jason Voorhees. It's a splatterfest of fear all the way from Crystal Lake to the mean streets of Manhattan. In additio! n, the collection includes a special disc filled with never-before-seen footage and fabulous extras that will slay even the most jaded horrorfilm aficionado! FRIDAY THE 13TH PART 2: Two months after the events of the original Friday the 13th, Alice (Adrienne King), the lone survivor or Mrs. Vorhees' killing spree, meets a grisly end in her city apartment. Five years later, a new group of co-eds converges near Camp Crystal Lake, scene of the original massacre and the drowning of Jason Vorhees that preceded it. This time around, the horny collegians attend a nearby training school for camp counselors. As half the group parties in town, an unseen assailant picks off the other half one by one. Only when camp leader Paul (John Furey) and his girlfriend, Ginny (Amy Steel), return to camp do they uncover the identity of their stalker â€" none other than Jason (Warrington Gillette) himself, alive but grotesquely deformed as a result of his childhood drowning. Flashbacks chronicle ! Jason's behind-the-scenes activities in the first film (perhap! s explai ning how his mother was able to throw the dead bodies of muscular youths through windows with such apparent ease). The young couple's only hope to defeat the fiend lies in psych major Ginny's insights in Jason's mental state.FRIDAY THE 13TH:FINAL CHAPTER DE - DVD MovieAmateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humdrum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andre! w WrightJason rises from the grave to wreak havoc upon a new group of unsuspecting campers in the ultra-bloody rampage Friday The 13th: Part VI: Jason Lives - Deluxe Edition. As a child, Tommy Jarvis killed mass-murderer Jason Voorhees. But now, years later, he is tormented by the fear that maybe Jason isn't really dead. Determined to finish off the infamous killer once and for all, Tommy and a friend dig up Jason's corpse in order to cremate him. Unfortunately, things go seriously awry, and Jason is instead resurrected, sparking a new chain of ruthlessly brutal murders. Now it's up to Tommy to stop the dark, devious and demented deaths that he unwittingly brought about in this terrifying horror film that will take you to the grave and back!

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Creepshow [Blu-ray]

  • Two macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style ofic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything . grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their
Studio: Warner Home Video Release Date: 09/08/2009Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The ! results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan ReesmanStudio: Warner Home Video Release Date: 09/08/2009 Run time: 134 minutes Rating: Pg13Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come ! very close to replicating a horror comic in film format. The r! esults m ix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan Reesman
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Parenting Teenagers: Systematic Training for Effective Parenting of Teens

  • ISBN13: 9780979554216
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In this edgy thriller, Don McKay (Thomas Haden Church, Sideways) flees his hometown after a horrendous tragedy and vows never to return. But 25 years later he comes back to find a dark menace looming over the town. As he attempts to rekindle his romance with an old high school girlfriend (Elisabeth Shue, Leaving Las Vegas), Don is pulled into a malevolent world from which he may never escape.There's urban noir, like Night and the City, and suburban noir, like Double Indemnity. With Don McKay, Jake Goldberger puts his stamp on the latter, offering a sad-sack janitor (producer Thomas Haden Church), who returns to his East Coast hometown when he learns that his old girlfriend, Sonny (! Elisabeth Shue), has a terminal illness. Sonny, who spends her days in shiny negligees, wants to get back together, which suits Don just fine, though he has his doubts about Dr. Pryce (James Rebhorn), and Marie (Melissa Leo, stealing every scene), Sonny's live-in nurse, who both act more like jealous lovers than medical professionals. When Pryce tries to strangle Don, he kills the man in self-defense and hides the body, turning to his friend, Otis (Keith David), for help, since the police aren't likely to believe him due to the events of the past (Goldberger withholds the details until the end). In the meantime, Don puts up with Sonny's tempestuous seduction act until he can't take it anymore, but escaping her clutches proves unexpectedly difficult, especially once blackmailer Mel (Pruitt Taylor Vince) enters the scene. As in the melodramas of yore, characters say the most preposterous things, but Goldberger keeps you guessing as to their real motives. If he casts Church an! d Shue against type, that only deepens the central mystery, th! ough the star comes off better than his leading lady, who sometimes seems lost. Still, their talents ensure that the writer-director's debut doesn't slide into farce--though it sure comes close. --Kathleen C. FennessyAn informative best-seller-updated with a new format and illustrations--with proven techniques for better parent-teen relationships.
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Shut-Eye

  • SHUT-EYE (DVD MOVIE)
FEAST OF LOVE - DVD MovieThe warm, reassuring gravitas of Morgan Freeman anchors Feast of Love, a multi-character meditation on the mysteries of that oh-so-powerful emotion. Bradley (Greg Kinnear, Little Miss Sunshine), owner of a coffee shop in Oregon, thinks his marriage is idyllic--until his wife (Selma Blair, Hellboy) leaves him for another woman. One of Bradley's baristas (Toby Hemingway, The Covenant) falls head over heels for a girl who comes looking for a job (Alexa Davalos, The Chronicles of Riddick), but his abusive father (Fred Ward, Miami Blues) spells trouble for the relationship. Finally, a professor (Freeman) and his wife (Jane Alexander, Kramer vs. Kramer) struggle to find purpose in life in the aftermath of a personal tragedy. Though some scenes are a bit precious and the dialogue leans too much on semi-p! hilosophical pronouncements, viewers will find it hard not to identify with the universal trials of romance and the yearning for a family. Also starring Radha Mitchell (High Art, Pitch Black) as a real estate broker who can't stop seeing a married man. Warning: Feast of Love is predominantly about the ways of the heart, it features several fairly explicit sex scenes. Directed by Robert Benton (Places in the Heart, Nobody's Fool). --Bret Fetzer

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Stills from Feast of Love







From "one of our most gifted writers" (Chicago Tribune), here is a superb new novel that delicately unearths the myriad manifestations of ! extraordinary love between ordinary people.

The Feast of Love is just that -- a sumptuous work of fiction about the thing that most distracts and delights us. In a re-imagined Midsummer Night's Dream, men and women speak of and desire their ideal mates; parents seek out their lost children; adult children try to come to terms with their own parents and, in some cases, find new ones.

In vignettes both comic and sexy, the owner of a coffee shop recalls the day his first wife seemed to achieve a moment of simple perfection, while she remembers the women's softball game during which she was stricken by the beauty of the shortstop. A young couple spends hours at the coffee shop fueling the idea of their fierce love. A professor of philosophy, stopping by for a cup of coffee, makes a valiant attempt to explain what he knows to be the inexplicable workings of the human heart Their voices resonate with each other -- disparate people joined by the meand! erings of love -- and come together in a tapestry that depicts! the mos t irresistible arena of life. Crafted with subtlety, grace, and power, The Feast of Love is a masterful novel.Among literary cognoscenti, Charles Baxter has a well-deserved reputation as one of America's finest writers. Best known for his short stories, Baxter has also produced three novels. His fourth, The Feast of Love, combines the best of both genres--with a light dusting of metafiction to sweeten the dish. The book begins with Baxter himself waking from a nightmare and going for a moonlit walk through his hometown of Ann Arbor, Michigan. While sitting on a park bench, he is joined by an acquaintance of 12 years--and, incidentally, one of the main characters in the novel. It is Bradley who gives Baxter the name for the novel he's currently struggling to write, and even offers himself as a character:
You should call it The Feast of Love. I'm the expert on that. I should write that book. Actually, I should be in that b! ook. You should put me into your novel. I'm an expert on love. I've just broken up with my second wife, after all. I'm in an emotional tangle. Maybe I'd shoot myself before the final chapter. Your readers would wonder about the outcome.
But why stop there? Bradley goes on to suggest that he send people to Baxter, "actual people, for a change, like for instance human beings who genuinely exist, and you listen to them for a while. Everybody's got a story, and we'll just start telling you the stories we have"--a sly tip-off to the reader of this elegant, quirky, and wholly engrossing novel that the writer may be no more reliable than his narrators.

What follows is a chronicle of love--the mad kind, the bad kind, and the kind that sustains us when everything else is gone. In addition to Smith, we meet Chloé, a young waitress at Bradley's espresso bar, and her ex-junkie boyfriend, Oscar; Bradley's next door neighbors, Harry Ginsburg, an! elderly professor of philosophy, and his wife, Esther; and Ka! thryn an d Diana, Bradley's two ex-wives. The characters take turns narrating, often commenting on and correcting versions of events mentioned by other characters in previous chapters, and occasionally advising Baxter on the progress of his novel: "Don't threaten people, especially lawyers" legal eagle Diana warns "Charlie" shortly before she launches into her own story. "Don't threaten your own characters. It's for your own good. You'll wind up in a mess of litigation and... subplots." But in The Feast of Love, God is in the subplots--Oscar and Chloé's involvement in the porn industry; Esther and Harry's agonized relationship with their mentally ill son; Bradley's travails in love, art, and dog ownership. As the novel progresses, these separate strands gradually merge, and not even an unexpected tragedy can dim the luster of this moonstruck romance. For by the time Baxter brings his tale of love and loss and redemption to a close, his characters have a! ll found their way to the feast--bittersweet though some of the dishes may be. --Alix WilberWidescreen DVDSTILETTO is a sexy, action-packed thriller about Raina - a sexy femme fatale on the hunt to avenge and uncover the truth about her sister's kidnapping. When she discovers that her former lover, mob boss Virgil Vadalos (Tom Berenger), and his associates are directly responsible, she decides to take the law into her own hands, stalking Vadalos and his ruthless enforcers who corrupt the streets. Also starring Michael Biehn, William Forsythe and Tom Sizemore.

Hoping to woo a fickle Gemini or a larger-than-life Leo? The Astrology Cookbook offers tempting menus geared to the tastes of each sign, with clear, easy-to-follow recipes. Charmingly written astrology insights accompany lighthearted and delicious recipe ideas.

Bleeding Heart Cake

This is the happy ending for dark-and-dirty Scorpiosâ€"a deep, rich dessert with a gushy center of h! ot raspberries and molten dark chocolate. Serve it warm with e! xtra cru shed raspberries. Use your favorite bittersweet or semisweet chocolate for the cakeâ€"the darker, the better.

1/2 pint fresh raspberries
1 tablespoon sugar
1 tablespoon Chambord, Cassis or other berry liqueur (optional)
2 tablespoons unsweetened cocoa powder
1/4 cup sugar
2 oz. dark (not unsweetened) chocolate, chopped
3 tablespoons unsalted butter
1 large egg yolks
1 large egg
2 tablespoons all-purpose flour
Powdered sugar for serving

Toss raspberries with 1 tablespoon sugar and liqueur, if using. Set aside. Preheat oven to 350°F. Butter two ramekins, Pyrex dishes, or custard cups. In a small bowl, stir together cocoa and 1/4 cup sugar. In a small heavy saucepan over low heat, melt chocolate and butter together, stirring frequently until both are melted and mixture is smooth. Remove from heat and whisk in cocoa mixture. Whisk in egg yolks, then whole egg. Sprinkle in flour and stir gently to blend. Half fill ramekins with batter.! Drop a spoonful of berries into the center of each ramekin, then cover with remaining batter. Bake cakes uncovered until edges are set but center is still shiny. A toothpick inserted into the center should come out still gooey, about 20-22 minutes. Run a butter knife around edges of each cake to loosen; unmold onto plates. Sift a little powdered sugar over each cake and surround with remaining raspberries.

An award-winning baker, Stephanie Rosenbaum is the author of Honey: from Flower to Table and Williams-Sonoma Kids in the Kitchen: Fun Food. A James Beard Foundation Journalism Award finalist, her writing has appeared in The San Francisco Bay Guardian and San Francisco magazine.

SHUT -EYE, the latest work from Writer/Director John Covert (WAITING FOR THE MAN, THE BLIND LEAD), is a hard hitting contemporary character study of family dysfunctionalism, crime and violence played out in the three flat brownstones and Mob owned st! rip joints of the Chicago underworld. Like far too many hard w! orking A merican couples, Ed and Kim are barely able to make their rent. Ed, an ex-cop, is reduced to working security for Mafia strip clubs. When members of their family steal cash that Ed is paid to protect, relatives, friends and mobsters react with deadly unpredictability.
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