San Francisco-Gate Bridge in Black and White, Photography Poster Print, 24 by 36-Inch

• Measurements: 36 inches by 24 inches
• Easy to frame
• Makes a great gift
• High quality poster print
• Great wall decor

Black and white décor is at once dramatic and understated, modern and classic, apparent in the work of iconic designers such as Dorothy Draper and Madeleine Castaing but just as present in design today. And the inspiration is all around usâ€"from nature (a zebra’s stripes, tree trunks rising from drifts of snow) to old Hollywood movies and fashion to black-and-white photography and patterns we encounter in our everyday lives (crossword puzzles and the pages of our favorite novels). 

In Black and White (and a Bit in Between), acclaimed interior designer Celerie Kemble trades in her signature vivid palette for this iconic aesthetic, highlighting the black and white work of design stars and peers, including Bunny Williams, Thomas O’B! rien, Mary McDonald, Victoria Hagan, Mark Hampton, Delphine Krakoff, Brad Ford, Philip Gorrivan, Carrier and Co., and Miles Redd, and welcoming you into more than 100 spaces in every imaginable aesthetic. Woven throughout are her witty observations and expert advice on choosing the best paints and finishes, adding patterns and accessories, building an entire room scheme based on inspiration found in nature, collecting black and white objects, and even choosing the perfect accent colors. 

With more than 350 gorgeous color photographs, this is a vividly photographed celebration of a timeless scheme, infused with inspirational tips, glimpses into showstopping homes, and proof that a limited palette is anything but.San Francisco - Gate Bridge in Black & White, Photography Poster Print, 24 by 36

WOW Christmas: 30 Top Christian Artists and Holiday Songs

• Includes, Avalon Winter Wonderland, Michael W. Smith
• Emmanuel, Point of Grace O Holy Night, Steven C. Chapman
• Christmas is all in the Heart, Yolanda Adams Have yourself a merry little
• Christmas,Amy Grant Breath of Heaven(Mary's Song)
• 31 Songs in all. Rachel Lampa Ave Maria, Donnie McClurkin, Hark the hearld Angels Sing...Kathy Mattea Mary Did you Know? Kirk Franklin the Night that Christ was born...

Narrated by Oprah Winfrey, Emmanuel's Gift tells the story of a disabled orphan in Ghana, West Africa, whose father abandoned him, village dismissed him, and country thought him better off dead. This is the story of Emmanuel Ofosu Yeboah, who had nothing, but gave everything--and changed a nation forever.: If you are born disabled in Ghana, West Africa you are likely to be poisoned, or left to die by your family; and if you are not poisoned or left for dead, you're ! likely to be hidden away in a room; and if you're not hidden, you are destined to spend your lifetime begging on the streets. Of the twenty million people in Ghana, two million are disabled. This is the story of one disabled man whose mission-and purpose- is to change all that forever. In Emmanuel's Gift, filmmakers Lisa Lax and Nancy Stern have uncovered a story as compelling as it is important. Narrated by Oprah Winfrey, the film chronicles the life of Emmanuel Ofosu Yeboah, a young Ghanaian man born with a severely deformed right leg, who today, against incalculable odds, is opening minds, hearts and doors-and effecting social and political change throughout his country. While Emmanuel's message is vital: people with disabilities are valuable contributors to any society, his method is inspirational. Emmanuel begins his quest with a bicycle ride, over 600 kilometers, across Ghana with one leg-and continues to spread his vision with grit and resolve. Lisa Lax and Nancy Ste! rn have been documenting Emmanuel's plight for over a year, ha! ving sho t over 100 hours of powerful imagery. The film includes original footage shot in Ghana, California, Oregon and New York, as well as photographs and other acquired film/video of Emmanuel's early years. Through it all, they have created an intimate insight into the mind and heart of a visionary whose unforgettable journey transcends continents and cultures and becomes each of ours to share.Grammy-nominated fingerstyle guitar virtuoso Tommy Emmanuel has toured in Europe, Asia, South America, and the United States, bringing his music from the Australian outback to the rest of the world and creating legions of new fans in the process. None other than the incredible Chet Atkins has referred to him as "One of the greatest guitarists in the world," and Tommy is quick to acknowledge Chet as his principal inspiration. Modestly referring to himself as "an entertainer who happens to play the guitar," Tommy captivates his audiences with his humor, charisma and musicianship, delivering kn! ockout performances around the globe. Tommy's energy and the ideal acoustics of the Sheldon Concert Hall make this a video performance to be cherished. This DVD features nearly two hours of performance, including all of the material from both of the VHS volumes entitled Tommy Emmanuel in Concert! Live at the Historic Sheldon Auditorium.%The Gift of Mystical Insight provides the basis, the evidence and the logic of why mystical experiences occur. It gives a reader the impetus to reach for that unique, blessed experience so that the mystical state -- ultimate reality -- can finally be attained.  Whether you are religious, an agnostic or an atheist, a priest,  psychologist, scientist or philosopher, or you belong to the laity, you cannot but gain from its insights, wisdom, anecdotes and supporting parallel quotes.  You may soon realize from within the self that mystical experiences are no longer a mystery, and that the gift humans have always sought above all other gifts is! release from human suffering through that sudden realization.!   Here insights are plentiful, but more importantly you have reason that provides the impetus to reach for an illumination unlike anything you have ever imagined, or can possibly imagine.  The meaning and importance of  "the moving present" will become known to you.  Wisdom  can and does become a part of your soul.  Self-esteem will be yours.  You will understand the meaning of feeling and being one with the universe. You will realize that the true nature of the human being is goodness, not evil.  This book may contain the most important message you will ever read.  The Gift of Mystical Insight will be a message you will want to spread.  If this first edition book contains the basis, the evidence and the logic to the mystical experience as it claims, you may be holding a collector's copy. %The Gift of Mystical Insight provides the basis, the evidence and the logic of why mystical experiences occur. It gives a reader the impetus to reach for that unique, blessed experience! so that the mystical state -- ultimate reality -- can finally be attained.  Whether you are religious, an agnostic or an atheist, a priest,  psychologist, scientist or philosopher, or you belong to the laity, you cannot but gain from its insights, wisdom, anecdotes and supporting parallel quotes.  You may soon realize from within the self that mystical experiences are no longer a mystery, and that the gift humans have always sought above all other gifts is release from human suffering through that sudden realization.  Here insights are plentiful, but more importantly you have reason that provides the impetus to reach for an illumination unlike anything you have ever imagined, or can possibly imagine.  The meaning and importance of  "the moving present" will become known to you.  Wisdom  can and does become a part of your soul.  Self-esteem will be yours.  You will understand the meaning of feeling and being one with the universe. You will realize that the true na! ture of the human being is goodness, not evil.  This book may! contain the most important message you will ever read.  The Gift of Mystical Insight will be a message you will want to spread.  If this first edition book contains the basis, the evidence and the logic to the mystical experience as it claims, you may be holding a collector's copy. It was only a matter of time before the folks behind the wildly successful WOW series turned their eyes toward Christmas. After all, holiday releases by Christian artists flood the market every year, and there's plenty of stock to choose from. WOW Christmas does, indeed, capture a nice range of styles and artists from releases over the last few years. Among the sweeter moments are Michael W. Smith's new standard, "Emmanuel," Point of Grace's angelic "O Holy Night," Rebecca St. James's quirky "Sweet Little Jesus Boy," and the Mark Schultz-Nichole Nordeman gentle treatment of "Silent Night." There are a couple of curiosities here, as well: Avalon jazzing up the old standard "Winter Wonderland" wi! th a Manhattan Transfer-like big-band sound; and Fred Hammond's soulful "Go Tell It on the Mountain." And if that's not offbeat enough, we also get the flat-out weirdness of Audio Adrenaline's punked-out "Little Drummer Boy." For the most part, though, WOW Christmas spices up the classic Yule tunes with freshness and creativity, making it a must disc for your holiday party. --Michael Lyttle

Amazing Grace: The Lives of Children and the Conscience of a Nation

• ISBN13: 9780060976972
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the makers of Ray, AMAZING GRACE tells the inspiring story of William Wilberforce and his passion and perseverance to pass a law ending the slave trade in the late 18th century. Several friends, including Wilberforce's minister, a reformed slave ship captain who penned the beloved hymn Amazing Grace, urge him to see the cause through.In this inspirational costume drama, Michael Apted (49 Up) recounts a period in British history sure to be unfamiliar to most Americans. In fact, his eye-opening biography of 18th century abolitionist William Wilberforce (Ioan Gruffudd) is likely to come as a revelation to many Britons, as well. After all, despite the presence of his wife, Barbara (Romola Garai! ), this isn't a particularly "sexy" story, but it is a powerful one. The title comes from John Newton's hymn "Amazing Grace" ("I once was lost but now am found"). Newton (Albert Finney) was a former slaveholder, who became a clergyman and spent his days repenting. While America had John Brown, England had Wilberforce, and Newton is one of many who helped the MP to abolish slavery in the UK. The story begins towards the end of Wilberforce's mission when he's sick with colitis and addicted to laudanum. Apted continues to alternate between 1797 and 1789, when Wilberforce was fitter and more idealistic, and ends in 1807 as his efforts come to fruition. Apted and writer Steven Knight (Dirty Pretty Things) do right by their hero. Unlike Amistad, however, slaves are largely off-screen, with the exception of author Equiano (Senegalese vocalist Youssou N'Dour). Amazing Grace reserves its focus for the politicians who risked their reps for the greater good! , like Wilberforce and Prime Minister Pitt (an excellent Bened! ict Cumb erbatch), and those more concerned with the income slavery provided their constituents, like Lord Tarleton (Ciarán Hinds) and the Duke of Clarence (Toby Jones). --Kathleen C. FennessyGrace loves stories, whether they're from books, movies, or the kind her grandmother tells. So when she gets a chance to play a part in Peter Pan, she knows exactly who she wants to be. Remarkable watercolor illustrations give full expression to Grace's high-flying imagination.The children in this book defy the stereotypes of urban youth too frequently presented by the media. Tender, generous and often religiously devout, they speak with eloquence and honesty about the poverty and racial isolation that have wounded but not hardened them.

The book does not romanticize or soften the effects of violence and sickness. One fourth of the child-bearing women in the neighborhoods where these children live test positive for HIV. Pediatric AIDs, life-consuming fires and gang rivalries take a h! igh toll. Several children die during the year in which this narrative takes place.

A gently written work, Amazing Grace asks questions that are at once political and theological. What is the value of a child's life? What exactly do we plan to do with those whom we appear to have defined as economically and humanly superfluous? How cold -- how cruel, how tough -- do we dare be?

Children of Huang Shi - Laminated Movie Poster - 11 x 17 Inch (28cm x 44cm)

• You are looking at a beautiful, professionally laminated poster.
• Lamination is a cost effective way to extend the life of your print or poster.
• Rolled and shipped in a sturdy tube.
• Clear lamination is an effective solution for protecting your print or poster from fading, dirt, fingerprints, moisture, bends, tears and rips.
• This poster is from Children of Huang Shi (2008)

Set in war-ravaged China during the late 1930s, Huang Shi is based on true events. It's the story of a young Englishman, George Hogg (Rhys Meyers), who led sixty orphaned boys on a journey across the Liu Pan Shan mountains to safety on the edge of the Mongolian desert.The Children of Huang Shi is a powerful, inspiring film about a real-life, outsider hero who emerged from Japan's catastrophic invasion of China in 1937. A British journalist, George Hogg (Jonathan Rhys Meyers) s! neaks into Nanjing at the height of Japan's destruction of that cosmopolitan city. Rescued from certain death by a suave rebel named Chen Hansheng (Chow Yun-Fat), Hogg goes deep into China's countryside in search of another front to the war. Instead of furthering his career, however, Hogg is talked into taking control of a destitute orphanage occupied by starving, lice-ridden, half-savage boys. A roving nurse, Lee Pearson (Radha Mitchell), keeps Hogg focused on his task, provides him with medical supplies, and ultimately becomes his lover. But the former reporter has to figure many things out on his own, including how to inspire the boys to help fend for themselves.

With the Japanese closing in on the orphanage and the Chinese looking at the boys as likely soldiers, Hogg, Pearson, and Hansheng lead the kids on an extraordinarily strenuous, 700-mile hike to Marco Polo's so-called Silk Road, leading to the Gobi Desert. The second half of The Children of Huang Shi ! is taken up by this sometimes deadly labor, and director Roger! Spottis woode balances the dreariness of it with knockout images of mountains and eerie, desert vistas. The multi-national cast is the best thing about the film, which avoids canonizing the saintly Hogg by not ignoring his sins of pride (he refers to the kids as "my boys" to the wrong Chinese authority, and pays the price) and jealousy. Chow's jaunty persona adds an essential swagger to this Schindler's List-like story, but it's Mitchell's gritty, soul-weary performance that really grabs one's attention. --Tom Keogh

Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lex! icon in the sharing of human knowledge. This particular book contains chapters focused on Films set in Jiangsu, and Nanking Massacre films.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Nanking Massacre films.Bron: Wikipedia. Pagina's: 33. Hoofdstukken: The Voyage that Shook the World, Bangkok Hilton, Mad Max, The Black Balloon, The Children of Huang Shi, Mad Max 2, Disgrace, Mary and Max, Babe, Mad Max Beyond Thunderdome, Babe: Pig in the City, Dying Breed, The Phantom, Moulin Rouge! !, Alexandra's Project, The King's Speech, Crocodile Dundee, P! aradise Road, Australia, Crocodile Dundee II, Vinyan, De cup, Rogue, The Year of Living Dangerously, Jindabyne, The Jammed, Death Defying Acts, Dead Calm, Wolf Creek, Muriel's Wedding, 20,000 Leagues Under the Sea, Black Water, The Adventures of Priscilla, Queen of the Desert, Aquamarine, The Pirate Movie, Candy, Gallipoli, Rabbit-Proof Fence, The Proposition, Thunderstruck, The Chain Reaction, Three to Tango, Komodo, Salute of the Jugger, Attack Force Z, Red Flag over Tibet, December Boys, Storm Warning, Dingo, Holy Smoke, The Crocodile Hunter: Collision Course, Swimming Upstream. Uittreksel: The Voyage that Shook the World (ook: Darwin: The Voyage that Shook the World) is een gedramatiseerde anti-evolutionaire documentaire uit 2009 van Creation Ministries International, een jongeaardecreationistische organisatie. Het is geproduceerd door Fathom Media. In de film worden de evolutietheorie, intelligent design en creationisme belicht. De titel van de film verwijst naar de reis met he! t schip de Beagle die Charles Darwin van 1831 tot 1836 maakte. De film werd uitgebracht ter gelegenheid van feit dat Charles Darwin 200 jaar geleden was geboren evenals het feit dat 150 jaar geleden zijn werk De oorsprong der soorten werd uitgebracht. Charles Darwin in 1816, op zevenjarige leeftijd. Reis van de Beagle.De film begint met een beschrijving van Charles Darwin als kind: Darwin was iemand die over alles vragen stelde evenals iemand die er van hield om grootse verhalen te bedenken en vertellen. Darwin werd geboren in een gelovig gezin. Zijn grootvader Erasmus Darwin en tijdgenoot Josiah Wedgwood worden genoemd als vrijdenkende rationalisten...Forrás: Wikipedia. Oldalak: 24. Fejezetek: Félelem nélkül, Tigris és sárkány, Secret, Confucius, Aranyvirág átka, The Warlords, The Children of Huang Shi, A tiltott királyság, Ocean Heaven, Initial D, Ellenséges vágyak, 2046, True Legend, Kung Fu Dunk, Old Boys, A repülÅ' tÅ'rök klánja, Shaolin templom, The So! rcerer and the White Snake, A karate kölyök, HÅ's, A pofonok! földje , Jackie Chan: A katona, The Flying Swords of Dragon Gate, The Battle of Dingjunshan, Shaolin harcművészete, A bosszú harcosa, Shaolin templom 2., The Knot, Sanghaji Filmkritikusok Díja. Idézet: A Félelem nélkül (Huo Yuan Jia, egyszerűsített kínai írásmóddal: 霍元ç"², magyaros átírással: Huo Jüan-csia, nemzetközi címe: Fearless illetve Jet Li's Fearless; alternatív magyar cím: A küzdelem útja) című kínai harcművészeti film Jet Li utolsó )filmjeként készült. A film ) életének egyes állomásait mutatja be, gyerekkorától egészen haláláig. A rendezÅ' Ronny Yu, a harckoreográfiát ) készítette, a zenét Umebajasi Sigeru szerezte, a film betétdalát a népszerű kínai popsztár, Jay Chou énekli. A film Jet Li ötlete alapján készült, aki a harcművészet lényegét összefoglaló alkotást szeretett volna létrehozni, mely a saját életfilozófiáját is közvetíti. A filmet 2005 tavas! zán kezdték forgatni, a kilencvennapos munkálatok júliusban fejezÅ'dtek be. A film viszonylag kevés drótköteles rásegítést és CGI-effektet alkalmaz, mert a rendezÅ' eltökélt szándéka volt, hogy hagyja Li harcművészetét érvényesülni. Li ellenfelei a filmben valódi harcművészek és sportolók, Nakamura Sidó kivételével. ) minden vágya, hogy harcművészetet tanuljon híres harcművész édesapjától, ám a kisfiú asztmás, így szigorú apja nem engedi meg neki, helyette írást kell tanulnia. A kisfiú azonban, miután apját legyÅ'zi a rivális iskola vezetÅ'je, elhatározza, hogy Å' lesz a környék legnagyobb harcosa és sosem fog veszíteni. Ellopja apja harcművészetet oktató könyvét és megkéri legjobb barátját, hogy másolja le ...Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedi! a articles and images under Creative Commons licensing, althou! gh as He phaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Second Sino-Japanese War films, and Nanking Massacre films.ALL PRODUCTS BRAND NEW, GUARANTEED AND FACTORY SEALED, GREAT PRODUCTS AND EXCELENT SERVICE (IDIOMA:ESPANOL,INGLES,SUBTITULOS:INGLES,ESPANOL,DURACION:125 MINS)MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Film Noir Classic Collection, Vol. 3 (Border Incident / His Kind of Woman / Lady in the Lake / On Dangerous Ground / The Racket)

• Five more film noirics lined up with genre stars such as Robert Mitchum, Robert Montgomery, Robert Ryan, and Jane Russell, are now available in Volume 3 of the Film Noir Classics Collection series. The new 6-Disc DVD set is only available as a collection and includes a bonus documentary disc on the Noir genre. Format: DVD MOVIE Genre: TELEVISION Rating: NR Age: 012569761247

Genre: LGBT Action/Adventure
Dangerous Ground; Previous Book: Old Poison

Special Agents for the Department of Diplomatic Security, Taylor MacAllister and Will Brandt have been partners forever and lovers for three months, but their new relationship is threatened when Will is offered a plum two-year assignment in Paris.

Will believes the posting only means postponing what they both want. Taylor fears that kind of separation will mean the end of their new and still-fragile relationship. It’s a! bad time to find themselves in the middle of the New Mexico wilderness responsible for the health and welfare of a suspected terrorist. Especially when everyone else they run into seems determined to see their prisoner -- and them -- dead.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.Genre: LGBT Action/Adventure
Dangerous Ground; Previous Book: Old Poison

Special Agents for the Department of Diplomatic Security, Taylor MacAllister and Will Brandt have been partners forever and lovers for three months, but their new relationship is threatened when Will is offered a plum two-year assignment in Paris.

Will believes the posting only means postponing what they both want. Taylor fears that kind of separation will mean the end of their new and still-fragile relationship. It’s a bad time to find themselves in the middle of the New Mex! ico wilderness responsible for the health and welfare of a sus! pected t errorist. Especially when everyone else they run into seems determined to see their prisoner -- and them -- dead.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.Ice Cube and Elizabeth Hurley in the tale of a South African freedom fighter who returns home after 14 years in exile for his father's funeral. Apartheid is over, but now the drug wars are destroying his people...and his brother is missing in action.An odd combination of consciousness-raising and run-of-the-mill action, Dangerous Ground features Ice Cube, mostly unbelievably, as a one-time South African native named Vusi. Vusi came to America at age 14 to escape police repression, and eventually reinvented himself as an American scholar and community-oriented volunteer. Called back to the old country to bury his father, Vusi discovers the new South Africa under Mandela, but also gets! a snootful of the nation's surge in crime and drug usage. Sent to Johannesburg to retrieve a long-missing brother, Vusi allies himself with a coke-addicted stripper (Elizabeth Hurley) who knows the vanished man. The script and direction by Darrell James Roodt (Cry, the Beloved Country) seems to be serving various masters: viewers interested in epochal changes in South Africa, and viewers who want to kick back and watch a suspense movie about drugs, a hooker, and a nasty crime lord (Ving Rhames). The result is unwieldy, and Cube's thumping performance doesn't do much to bridge the gap. --Tom KeoghGenre: LGBT Action/Adventure Suspense
Series: Dangerous Ground; Previous Book: Blood Heat

Like your heroes tall, dark and dangerous? Meet Loose Id's Men of Mystery.

The boys are back in town -- and Paris is burning!

For Special Agents of the Department of Diplomatic Security, Taylor MacAllister and Will Brandt, the strain ! of a long distance relationship is beginning to tell after ele! ven mont hs of separation. A romantic holiday could be just the thing to bridge the ever-growing distance, but when Taylor spots a terrorist from the 70s, long believed dead but very much alive, it’s c’est la vie.

Now instead of sipping wine and seeing the sights, the boys are chasing a wily and deadly foe through the graveyards and catacombs of Paris.

Of course, it could always be worse -- and soon it is.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: male/male sexual practices.Genre: LGBT Action/Adventure Suspense
Series: Dangerous Ground; Previous Book: Blood Heat

Like your heroes tall, dark and dangerous? Meet Loose Id's Men of Mystery.

The boys are back in town -- and Paris is burning!

For Special Agents of the Department of Diplomatic Security, Taylor MacAllister and Will Brandt, the strain of a long distance relationship is begi! nning to tell after eleven months of separation. A romantic holiday could be just the thing to bridge the ever-growing distance, but when Taylor spots a terrorist from the 70s, long believed dead but very much alive, it’s c’est la vie.

Now instead of sipping wine and seeing the sights, the boys are chasing a wily and deadly foe through the graveyards and catacombs of Paris.

Of course, it could always be worse -- and soon it is.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: male/male sexual practices.

Somethings hot in Seattle, and its not just the espresso.

The Seattle Steam series.

 Madisons needs are simple. All she wants are two things: Make Ooo La Latt the newest trend in espresso, and seduce the sexiest cop in Seattle. But things arent going exactly as planned. First, Gabes a little hung up on the fact that shes his best friends! little sister, and hes determined to keep his hands off. Seco! nd, her shop gets robbed by the increasingly violent Espresso Bandit, and now shes the only one who can identify him. Gabe whisks her into hiding for her own protection, but soon finds his heart is under assault by the lusciousand persistentMadison. But no matter where they hide, danger follows. On such dangerous grounds, the trick will be to live long enough to keep the flame alive.


Excerpt. © Reprinted by permission. All rights reserved.

It took almost another hour before she slipped into a light sleep, and instead of being comforted, she found herself reliving the robbery. Except this time, the robber pulled the trigger.

She jerked upright with a cry, dragging the sheets around her. A moment later her door burst open and Gabe's silhouette filled the doorway.

"Maddie?" He shut the door and came over to the bed. "What's wrong? I heard you cry out."

She turned her head away before he could see the shine of tears in! her eyes.

The dream had been too real.

"Did you dream about him?" Gabe asked, his voice soft. "It's all right, Maddie. It's normal. I haven't seen you break down once yet."

"I'm not the type to break down," she mumbled. She urged herself to regain control and not lose it. But the back of her throat burned from choking back the tears, and soon she stopped fighting.

The tears ran down her cheeks and she kept her face averted, trying to hide them.

"Maddie..." He pulled her unresisting body into his arms, sliding back against the bedpost to support them. She buried her head against his chest.

"It's just sexual tension combined with the post-traumatic stress." She tried to laugh and it came out choked. "Nothing to worry about. It'd all go away if you'd just have sex with me."

"You don't need to make it a joke, Maddie," he murmured. "It's nothing to be ashamed or embarrassed about."

Wasn't i! t? She hated that she was crying on Gabe's shoulder. He was al! ways so controlled and seemed so kept together. And now, in between pathetic attempts to seduce him, she sat here bawling her eyes out on his chest. His naked chest. Hmm. She hadn't noticed that before.

She blinked the last of her tears away and became quite aware of the rapid pounding of Gabe's heart.

Maybe he wasn't as controlled as he'd have her believe.

She kept her head against his chest. "You're not immune to me, Gabe."

His hand that had been stroking her hair stilled, and then resumed its comforting movements.

"I never said I was."

"Then why--"

"Just sleep, Maddie," he interrupted, his voice gentle. "I'll stay here with you, if you'd like. But only to sleep."

Madison considered her options. Having Gabe in bed with her would be a major temptation to attempt to seduce him again. It'd be better just to send him back to his own bed. But then the thought of being alone, with the possibility o! f more nightmares, made it an obvious choice.

"I'd like you to stay, and I promise not to touch you. Tonight. Deal?"

He gave a soft laugh and maneuvered them so that they were lying down next to each other.

"Deal."Something's hot in Seattle, and it's not just the espresso. Madison's needs are simple. All she wants are two things: Make Ooo La Latte the newest trend in espresso, and seduce the sexiest cop in Seattle. But things aren't going exactly as planned.

First, Gabe's a little hung up on the fact that she's his best friend's little sister, and he's determined to keep his hands off. Second, her shop gets robbed by the increasingly violent Espresso Bandit, and now she's the only one who can identify him.

Gabe whisks her into hiding for her own protection, but soon finds his heart is under assault by the luscious--and persistent--Madison. But no matter where they hide, danger follows. On such dangerous grounds, the trick ! will be to live long enough to keep the flame alive.

Someth! ing's ho t in Seattle, and it's not just the espresso. Madison's needs are simple. All she wants are two things: Make Ooo La Latte the newest trend in espresso, and seduce the sexiest cop in Seattle. But things aren't going exactly as planned.

First, Gabe's a little hung up on the fact that she's his best friend's little sister, and he's determined to keep his hands off. Second, her shop gets robbed by the increasingly violent Espresso Bandit, and now she's the only one who can identify him.

Gabe whisks her into hiding for her own protection, but soon finds his heart is under assault by the luscious--and persistent--Madison. But no matter where they hide, danger follows. On such dangerous grounds, the trick will be to live long enough to keep the flame alive.

JEAN BUTLER as GRANIA
COLIN DUNNE as DIARMUID
TONY KEMP as FINN McCOOL

This thrilling Irish dance drama features Riverdance stars Jean Butler and Colin Dunne, who also devised and choreographed ! the show. Based on the ancient Irish myth of Diarmuid and Grania, it is a dramatic Celtic love story of bravery, betrayal and vengeance. 'Jean Butler and Colin Dunne were the best thing about Riverdance: the Show...Now these superlative dancers have returned to Radio City with their own and infinitely more creative spectacle Dancing on Dangerous Ground...They have come up with one terrific show, filled with a consistent integrity that does not look down on popular appeal.' THE NEW YORK TIMES

'The effect of 28 dancers rapping out intricate rhythms at high volume generates a real theatrical thrill. Tim Hatley's futuristic marble and steel set also creates an ingenious
architecture within which the dancers constantly change formation. Butler and Dunne are without doubt a class act.' THE GUARDIAN, London

Composer SEAMUS EGAN
Director JEREMY STURT
Original Direction LINDSAY DOLAN
Set and Costumes TIM HATLEY

DARE TO DANCE: Also includes the doc! umentary Dare to Dance, the making of Dancing on Dangerous Gro! und. The artists and producers talk candidly about the creation of the show.Someone from DSS Special Agent Taylor MacAllister’s past -- the past he doesn’t discuss with his partner and now-lover Will Brandt -- wants him scared. Dead scared. Or maybe just dead. Will fears the past will end a future romance. Or any future at all.

(This book was previously released through Loose Id Publishing.)Someone from DSS Special Agent Taylor MacAllister’s past -- the past he doesn’t discuss with his partner and now-lover Will Brandt -- wants him scared. Dead scared. Or maybe just dead. Will fears the past will end a future romance. Or any future at all.

(This book was previously released through Loose Id Publishing.)

The USS Memphis, a dilapidated submarine that that should have been mothballed decades ago, has been given one last mission by the newly elected president. The task: To sneak illegally into Russia's coastal waters and recon the leaking nuclear fuel co! ntainers hidden on the floor of the Arctic Ocean. More than just an environmental nightmare, this radioactive burial ground houses enough nuclear capability to destroy most of America's major cities.
The Memphis's commander, Lowell Hardy, had been looking forward to flag rank and pleasant duty upon the sub's decommissioning. Now he is trapped in an inconceivably dangerous and illegal mission which could easily end his career, if not his life and the lives of his crew. But it's the crew who feel Hardy's tension as he tyrannizes everyone on board to ensure they'll be ready for anything:
Jerry Mitchell: a former naval pilot with political connections, he is a novice submariner, unprepared for his demanding job as a weapons officer. Central to the Memphis's mission, Mitchell may be its greatest liability . . . or its ultimate salvation.
Dr. Joanna Patterson: The senior civilian scientist, appointed by and reporting to the president, she is a world-class expert on nuc! lear fuel contamination--and every bit as demanding as Hardy. ! Patterso n and her partner, Dr. Emily Davis, soon find themselves battling flaring tempers, faulty machinery, lethal radioactivity, and the raging arctic seas.
The submariners: Seething with rage at their Captain Bligh-like commander and the equally domineering Joanna Patterson, they are also at war with Jerry Mitchell, and one another. Like the captain, they feel they deserve better, not this antiquated relic, not this hostile scientist, not this novice weapons officer, and definitely not this disastrously dangerous mission.
Nor is the mission what it seems. Lurking beneath the frigid, black, radioactive waters is a secret far more deadly than anything naval command could imagine--a secret so menacing the Russian Fleet is hell-bent on destroying the Memphis and all who sail in her.

The USS Memphis, a dilapidated submarine that that should have been mothballed decades ago, has been given one last mission by the newly elected president. The task: To sneak il! legally into Russia's coastal waters and recon the leaking nuclear fuel containers hidden on the floor of the Arctic Ocean. More than just an environmental nightmare, this radioactive burial ground houses enough nuclear capability to destroy most of America's major cities.
The Memphis's commander, Lowell Hardy, had been looking forward to flag rank and pleasant duty upon the sub's decommissioning. Now he is trapped in an inconceivably dangerous and illegal mission which could easily end his career, if not his life and the lives of his crew. But it's the crew who feel Hardy's tension as he tyrannizes everyone on board to ensure they'll be ready for anything:
Jerry Mitchell: a former naval pilot with political connections, he is a novice submariner, unprepared for his demanding job as a weapons officer. Central to the Memphis's mission, Mitchell may be its greatest liability . . . or its ultimate salvation.
Dr. Joanna Patterson: The senior civilian scientist, a! ppointed by and reporting to the president, she is a world-cla! ss exper t on nuclear fuel contamination--and every bit as demanding as Hardy. Patterson and her partner, Dr. Emily Davis, soon find themselves battling flaring tempers, faulty machinery, lethal radioactivity, and the raging arctic seas.
The submariners: Seething with rage at their Captain Bligh-like commander and the equally domineering Joanna Patterson, they are also at war with Jerry Mitchell, and one another. Like the captain, they feel they deserve better, not this antiquated relic, not this hostile scientist, not this novice weapons officer, and definitely not this disastrously dangerous mission.
Nor is the mission what it seems. Lurking beneath the frigid, black, radioactive waters is a secret far more deadly than anything naval command could imagine--a secret so menacing the Russian Fleet is hell-bent on destroying the Memphis and all who sail in her.

The USS Memphis, a dilapidated submarine that that should have been mothballed decades ago, h! as been given one last mission by the newly elected president. The task: To sneak illegally into Russia's coastal waters and recon the leaking nuclear fuel containers hidden on the floor of the Arctic Ocean. More than just an environmental nightmare, this radioactive burial ground houses enough nuclear capability to destroy most of America's major cities.
The Memphis's commander, Lowell Hardy, had been looking forward to flag rank and pleasant duty upon the sub's decommissioning. Now he is trapped in an inconceivably dangerous and illegal mission which could easily end his career, if not his life and the lives of his crew. But it's the crew who feel Hardy's tension as he tyrannizes everyone on board to ensure they'll be ready for anything:
Jerry Mitchell: a former naval pilot with political connections, he is a novice submariner, unprepared for his demanding job as a weapons officer. Central to the Memphis's mission, Mitchell may be its greatest liability . . . or its! ultimate salvation.
Dr. Joanna Patterson: The senior civil! ian scie ntist, appointed by and reporting to the president, she is a world-class expert on nuclear fuel contamination--and every bit as demanding as Hardy. Patterson and her partner, Dr. Emily Davis, soon find themselves battling flaring tempers, faulty machinery, lethal radioactivity, and the raging arctic seas.
The submariners: Seething with rage at their Captain Bligh-like commander and the equally domineering Joanna Patterson, they are also at war with Jerry Mitchell, and one another. Like the captain, they feel they deserve better, not this antiquated relic, not this hostile scientist, not this novice weapons officer, and definitely not this disastrously dangerous mission.
Nor is the mission what it seems. Lurking beneath the frigid, black, radioactive waters is a secret far more deadly than anything naval command could imagine--a secret so menacing the Russian Fleet is hell-bent on destroying the Memphis and all who sail in her.

Five more film noir classics! lined up with genre stars such as Robert Mitchum, Robert Montgomery, Robert Ryan, and Jane Russell, are now available in Volume 3 of the Film Noir Classics Collection series. The new 6-Disc DVD set is only available as a collection and includes a bonus documentary disc on the Noir genre.Two peak achievements by as many top noir directors ... a customized vehicle for one of noir's premier icons ... an oddball experiment in making a truly "private eye" movie ... and a Howard Hughes remake of his earliest contribution to the gangster genre. Such are the five titles corralled for Warner Home Video's third box set of film noir classics.

For eye-popping dynamism coupled with ferocious intensity, no noir director matched Anthony Mann. Border Incident (1949) was Mann's and cinematographer John Alton's first film for MGM following a string of darkly dazzling low-budget beauties at Eagle-Lion (T-Men, Raw Deal, The Black Book, et al.). In structure ! it's virtually a remake of T-Men, transposed from the s! hadowy c ity where a Secret Service team battled counterfeiters, to California's Imperial Valley where the Immigration Service sets out to infiltrate a gang exploiting--and often murdering--Mexicans eager to work the farms. From the opening night scene of three laborers trying to recross the border and meeting a grisly end, the movie relentlessly imagines ways the human body can merge with the earth. Visually stunning, and replete with memorable villains (headed by Howard Da Silva, a past master at making affability lethal), this is one of Mann's strongest noirs and surely his most inventive. Its neglect can be explained only by people's assumption that nothing worthwhile could come of a movie top-billing Ricardo Montalban and George Murphy (as the government agents). Wrong, wrong, wrong.

After a scalding first reel in big-city night streets, Nicholas Ray's On Dangerous Ground (RKO, 1951) likewise forsakes familiar noir terrain for the countryside--the mountains and sn! owfields where city cop Robert Ryan seeks a psychotic killer. For both the actor and the director, Ryan's character is an exemplary creation: a man with personal demons whose overzealous pursuit of criminals has pushed him into sadism. His passage from urban darkness into the silent white mountain country becomes a redemptive journey, thanks largely to his interaction with a blind woman (Ida Lupino) in an isolated farmhouse whose younger brother may be the quarry he's after. Ray developed the screenplay with A.I. Bezzerides under the supervision of producer John Houseman (for whom Ray had made his feature debut, They Live By Night). The film boasts a thrilling music score by Bernard Herrmann, anticipating his great soundtrack for North by Northwest.

His Kind of Woman (also RKO, 1951) is a vehicle for both RKO's reigning bad boy, Robert Mitchum, and Howard Hughes' definitive coup of distaff engineering, Jane Russell. Their characters cross paths! en route to a seaside Mexican resort, where she aims to conti! nue her gold-digger pursuit of Hollywood ham Vincent Price, and Mitchum will figure in a plot to get deported mobster Raymond Burr back into the U.S.A. The slow-brewing romance between this dauntingly tall, broad-shouldered pair gives off little heat, but the players' good-natured, weary-pro rapport as they go through their mostly preposterous paces makes for very good fun. Still more is supplied by Price, who just about steals the movie when he gets to extend his subâ€"Errol Flynn screen heroism into real life--all the while supplying his own florid running commentary on the action. The urbane director John Farrow filled the movie with one delicious, what-the-hell-is-going-on-here scene after another (highlight: a bored Mitchum ironing his money), but that wasn't enough for studio boss Hughes. Richard Fleischer was brought in to stretch the climactic melodrama aboard Burr's yacht in the harbor, and the picture grew to an overblown two hours in length. Not that you're lik! ely to regret a minute of it.

Robert Montgomery directed and played Phillip Marlowe in Lady in the Lake (MGM, 1947), Raymond Chandler's novel as adapted by Steve Fisher (I Wake Up Screaming). The gimmick is that, apart from a few scenes of private detective Marlowe chatting us up in his office, everything is viewed through his eyes, with Marlowe himself remaining unseen unless he glances in a mirror. This literal-minded conceit is more curious than compelling; the camera simply doesn't see the way the human eye does, and the artificiality constantly calls attention to itself. Montgomery, a suave actor who enjoyed playing it coarse and obnoxious on occasion, makes his screen Marlowe more smartass than any other ("dumb, brave, and cheap"). With him cracking wise off-camera, much of the movie is really carried by Audrey Totter, a swell late-'40s dame who has to stand up under more relentless scrutiny than even her shifty character deserves.

! The Racket (RKO, 1951) is the second film version of a 192! 0s play about municipal corruption, gangsterism, and the attempt to squash an honest police precinct captain. John Cromwell had acted in the original Broadway production, which may help explain why, as director, he let so much of this movie turn back into a play. Eventually studio boss Howard Hughes, who had produced the 1928 film version (directed by Lewis Milestone), once again called in another director to do salvage work.

That was Nicholas Ray, whose scenes include police captain Robert Mitchum's pursuit of the man who has just bombed his home. Mitchum's fellow cast members include Robert Ryan as the ultra-paranoid gangster; husky-voiced noir blonde Lizabeth Scott as a nightclub thrush romanced by Ryan's brother; future Perry Mason D.A. William Talman as a dedicated street cop; and Ray Collins and William Conrad as two municipal officials negotiating a delicate dance with morality and expediency. --Richard T. Jameson

Eternal Sunshine of the Spotless Mind (2-Disc Collector's Edition)

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Collector's Edition; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitle

ETERNAL SUNSHINE OF THE SPOTLESS MIND - DVD MovieScreenwriters rarely develop a distinctive voice that can be recognized from movie to movie, but the ornate imagination of Charlie Kaufman (Being John Malkovich, Adaptation) has made him a unique and much-needed cinematic presence. In Eternal Sunshine of the Spotless Mind, a guy decides to have the memories of his ex-girlfriend erased after she's had him erased from her own memory--but midway through the procedure, he changes his mind and struggles to hang on to their experiences together. In other hands, the premise of memory-erasing would become a trashy science-fiction thriller; Kaufman, along with director Michel Gondry, spins this idea into a funny, sad, structurally complex, a! nd simply enthralling love story that juggles morality, identity, and heartbreak with confident skill. The entire cast--Jim Carrey, Kate Winslet, Kirsten Dunst, Elijah Wood, Mark Ruffalo, Tom Wilkinson, and more--give superb performances, carefully pitched so that cleverness never trumps feeling. A great movie. --Bret FetzerJoel (Jim Carrey) is stunned to discover that his girlfriend Clementine (Kate Winslet) has had their tumultuous relationship erased from her mind. Out of desperation, he contacts the inventor of the process, Dr. Howard Mierzwiak (Tom Wilkinson), to get the same treatment. But as his memories of Clementine begin to fade, Joel suddenly realizes how much he still loves her.Screenwriters rarely develop a distinctive voice that can be recognized from movie to movie, but the ornate imagination of Charlie Kaufman (Being John Malkovich, Adaptation) has made him a unique and much-needed cinematic presence. In Eternal Sunshine of the Spotle! ss Mind, a guy decides to have the memories of his ex-girl! friend e rased after she's had him erased from her own memory--but midway through the procedure, he changes his mind and struggles to hang on to their experiences together. In other hands, the premise of memory-erasing would become a trashy science-fiction thriller; Kaufman, along with director Michel Gondry, spins this idea into a funny, sad, structurally complex, and simply enthralling love story that juggles morality, identity, and heartbreak with confident skill. The entire cast--Jim Carrey, Kate Winslet, Kirsten Dunst, Elijah Wood, Mark Ruffalo, Tom Wilkinson, and more--give superb performances, carefully pitched so that cleverness never trumps feeling. A great movie. --Bret FetzerStudio: Uni Dist Corp. (mca) Release Date: 01/04/2005 Starring: Jim Carrey Elijah Wood Run time: 108 minutes Rating: RScreenwriters rarely develop a distinctive voice that can be recognized from movie to movie, but the ornate imagination of Charlie Kaufman (Being John Malkovich, Ad! aptation) has made him a unique and much-needed cinematic presence. In Eternal Sunshine of the Spotless Mind, a guy decides to have the memories of his ex-girlfriend erased after she's had him erased from her own memory--but midway through the procedure, he changes his mind and struggles to hang on to their experiences together. In other hands, the premise of memory-erasing would become a trashy science-fiction thriller; Kaufman, along with director Michel Gondry, spins this idea into a funny, sad, structurally complex, and simply enthralling love story that juggles morality, identity, and heartbreak with confident skill. The entire cast--Jim Carrey, Kate Winslet, Kirsten Dunst, Elijah Wood, Mark Ruffalo, Tom Wilkinson, and more--give superb performances, carefully pitched so that cleverness never trumps feeling. A great movie. --Bret Fetzer

Any Given Sunday (Director's Cut) [Blu-ray]

• Life is a contact sport and football is life when three-time academy award-winning filmmaker Oliver Stone and a dynamic acting ensemble explore the fortunes of the Miami Sharks in Any Given Sunday.At the 50-year line of this gridiron cosmos is Al Pacino as Tony D'Amato, the embattled Sharks coach facing a full-on blitz of team strife plus a new, marketing-savvy sharks owner (Cameron Diaz) who's su

When a devastating hit knocks a professional football legend and quarterback Cap Rooney (Denis Quaid) out of the game, a young, unknown third-stringer is called in to replace him. Having ridden the bench for years because of a string of bad luck stories and perhaps insufficient character, Willie Beaman (Jamie Foxx) seizes what may be his last chance, and lights up the field with a raw display of athletic prowess. His stunning performance over several games is so outstanding and fresh it seems to aug! ur a new era in the history of this Miami franchise, and forces aging coach Tony D'Amato (Al Pacino) to reevaluate his time-tested values and strategies and begin to confront the fact that the game, as well as post-modern life may be passing him by. Adding to the pressure on D'Amato to win at any cost is the aggressive young President/Co-owner of the team, Christina Pagniacci (Cameron Diaz), now coming into her own after her father's death. Christina's driving desire to prove herself in a male dominated world is intensified by her focus on the marketing and business of football, in which all coaches and players are merely properties.Any Given Sunday, Oliver Stone's salute-cum-exposé of pro football, belabors some pretty obvious points for nigh onto three hours; but between the frenetic editing, the pounding rap-music beats, and several flashy performances, it's certainly never dull. Al Pacino, coach of the fictional Miami Sharks (the NFL declined involvement in this! production), struggles with the most time-honored of sports m! ovie dil emmas: what to do with the old friend who's past his prime and the young hotshot who could save the franchise but first has to learn what being a team player is all about. Comedian Jamie Foxx does a marvelous dramatic turn as the rookie quarterback whose ego and talent are equally impressive, while Pacino seems more at ease in Oliver Stone Land than any actor since regular James Woods (on hand as well as a sleazy team doctor). Prowling the sidelines, shouting spittle-flecked orders, seizing up in almost physical pain when a play goes the wrong way, Pacino is as unashamedly--and entertainingly--hyperbolic as Stone's whirling montages of boiling storm clouds, bloodthirsty fans, and players smashed into the mud. (Once again football, perhaps the most sophisticated of team sports, is viewed cinematically as a bunch of guys hitting each other in slow motion.) Unfortunately, all the self-conscious mythologizing and pumped-up macho posturing that Stone can muster doesn't conceal a ! clichéd, slapped-together script, whose few good ideas (mostly about race in America) jostle about with several hoary, terrible ones--including a too-literal analogy of football players as modern gladiators. (To drive the point home, Stone includes Charlton Heston--the aging Ben-Hur--in one of many star-powered cameos.) All in all, Any Given Sunday is never dull, but never very enjoyable, either. --Bruce ReidLife is a contact sport and football is life when three-time academy award-winning filmmaker Oliver Stone and a dynamic acting ensemble explore the fortunes of the Miami Sharks in Any Given Sunday. At the 50-year line of this gridiron cosmos is Al Pacino as Tony D'Amato, the embattled Sharks coach facing a full-on blitz of team strife plus a new, marketing-savvy sharks owner (Cameron Diaz) who's sure Tony is way too old school. An injured quarterback (Dennis Quaid), a flashy, bull-headed backup QB (Jamie Foxx), a slithery team doctor (James Woods) ! and a running back with an incentive-laden contract (LL Cool J! ) also p rovide some of the stories that zigzag like diagrams in a playbook. and throughout, there's the awesome spectacle of motion, sound and action orchestrated by Stone.Any Given Sunday, Oliver Stone's salute-cum-exposé of pro football, belabors some pretty obvious points for nigh onto three hours; but between the frenetic editing, the pounding rap-music beats, and several flashy performances, it's certainly never dull. Al Pacino, coach of the fictional Miami Sharks (the NFL declined involvement in this production), struggles with the most time-honored of sports movie dilemmas: what to do with the old friend who's past his prime and the young hotshot who could save the franchise but first has to learn what being a team player is all about. Comedian Jamie Foxx does a marvelous dramatic turn as the rookie quarterback whose ego and talent are equally impressive, while Pacino seems more at ease in Oliver Stone Land than any actor since regular James Woods (on hand as well as ! a sleazy team doctor). Prowling the sidelines, shouting spittle-flecked orders, seizing up in almost physical pain when a play goes the wrong way, Pacino is as unashamedly--and entertainingly--hyperbolic as Stone's whirling montages of boiling storm clouds, bloodthirsty fans, and players smashed into the mud. (Once again football, perhaps the most sophisticated of team sports, is viewed cinematically as a bunch of guys hitting each other in slow motion.) Unfortunately, all the self-conscious mythologizing and pumped-up macho posturing that Stone can muster doesn't conceal a clichéd, slapped-together script, whose few good ideas (mostly about race in America) jostle about with several hoary, terrible ones--including a too-literal analogy of football players as modern gladiators. (To drive the point home, Stone includes Charlton Heston--the aging Ben-Hur--in one of many star-powered cameos.) All in all, Any Given Sunday is never dull, but never very enjoyable, ! either. --Bruce Reid

Alien Anthology [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

A group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own.Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists! on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineA group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mech! anic named Call (Ryder), who holds more than a few surprises o! f her ow n.Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineStudio: Tcfhe Release Date! : 05/10/2011 Run time: 109 minutes Rating: RPerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. -! -Marshall FineAlien
The te! rror beg ins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

Aliens
In this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism - until the mysterious disappearance of colonists on LV-426 leads her to join a team of high-tech colonial marines sent in to investigate.

Alien 3
Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security priso! n. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind, Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien, a realization that may compel Ripley to try destroying not only the horrific creature but herself as well.

Alien Resurrection
A group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own.The Alien Quadrilogy is a nine-disc boxed set devoted ! to the four Alien films. Although previously available ! on DVD a s the Alien Legacy, here they have been repackaged with vastly more extras and with upgraded sound and picture. For anyone who hasn't been in hypersleep for the last 25 years, this series needs no introduction, though for the first time each film now comes in both original and "special edition" form.

Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 director's cut is fiddling for the sake of fiddling. Watch it once, then return to the majestic, perfectly paced original. Conversely, the special edition of James Cameron's Aliens (1986) is the definitive version, though it's nice to finally have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien 3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered, and finished off with (u! nfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to story. The ending is also subtly but significantly different. Alien: Resurrection (1997) always was a mess with a handful of brilliant scenes, and the special edition just makes it eight minutes longer.

The Alien Quadrilogy offers the first and fourth films with DTS soundtracks, the others having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary track that lends insight into the creative process--though the Scott-only commentary and isolated music score from the! first Alien DVD release are missing here.

Each mov! ie is co mplemented by a separate disc packed with hours of seriously detailed documentaries (all presented in full-screen with clips letterboxed), thousands of photos, production stills, and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including an hourlong documentary and even all the extras from the old Alien laserdisc. "Exhaustive" hardly beings to describe the Alien Quadrilogy, a set that establishes the new DVD benchmark for retrospective releases and looks unlikely to be surpassed for some time. --Gary S. DalkinAn interesting feature of Alien, Aliens, Alien 3, and Alien Resurrection, worth watching together if only for the chance to see how different directors handle essentially the same idea. The results are decidedly mixed. Ridley Scott's Alien is the most traditional of the bunch! , essentially a haunted-house picture set on a space freighter, where a monster is picking off crew members one by one. James Cameron's Aliens is the all-out adrenaline bath, a pulse-pounding action thriller from start to finish. It plays a little like a Western in outer space, where the settlers are waiting for a cavalry that never comes--and the Indians are acid-veined aliens. And David Fincher's Alien 3 is the rock-video version, in which substance and storytelling are sacrificed to editing and imagery, as the aliens attempt to take over a space penal colony. --Marshall FineBrace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature, makes this definitive Alien collection!Review of ! Alien
A landmark of science fiction and! horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable ni! ghtmares. --Jeff Shannon

Review of Aliens
Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked awa! y with an Oscar nomination for her trouble. --Marshall Fin! e
Review of Alien 3
The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine

Review of Alien Resurrection
Perhaps these films are like the Star Trek movies: The even-numbered episodes a! re the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine